eyevis launches first full HD DLP™ rear-projection cube of the world
Video and data signals in many branches use the 16:9 aspect ratio. The perfect solution for professionally used video walls in continuous operation in such applications is the EC-67-HD.
The EC-67-HD is a rear-projection cube from eyevis’ EC Cube series. It provides native HD resolution on a 67” screen in 16:9 aspect ratio. The units are addible and stackable to build up video walls of almost any size. The seamless design of the cubes allows almost invisible gaps between adjacent modules of a combined video wall. The gap measures only up to 0.6 mm. The cubes are available with various screen alternatives, depending on the application and the environmental conditions they are used in. For best redundancy of the video wall, the cubes are also available with automatic double-lamp systems, i.e. in case the lamp in the projector inside the cube breaks, the system automatically switches within seconds to the second lamp.
Modern picture-producing technologies, such as video cameras and sometimes software applications provide the pictures in 16:9 wide screen format, and in high resolutions. Therefore, the demands for display technologies offering this screen format and the referring resolution have risen. This can be seen with almost any LCD or plasma monitors sold today. But still the DLP™ rear-projection technology is the leading technology in the control room sector. The main reason for this is the possibility to operate rear-projection systems in 24/7-mode. Further, it does not suffer from negative influences with static image contents like the plasma technology, which is likely to suffer from burn-in effects and ghost-images. The main advantage compared with LC displays is the better applicability in continuous operation, and the minor gaps between individual modules in combined video wall applications. Of course, the EC-67-HD provides best characteristics for brightness, color and contrast.
Typical areas of applications for the EC-67-HD are control rooms which use many video sources, any kind of control room using 16:9 software applications, and of course the broadcasting sector.